Speeches by Bryant.

“No, I don’t think so, honestly. As you know, I am in two Departments, and I am meeting a lot of people on this subject. Feryal Clark and I have pretty much divided the labour, in the sense that she is mostly seeing the AI companies and I am mostly seeing the creative industries, but we have a couple of roundtables comi…”

“Unless they are required by law to have transparency about their inputs and their outputs. They have to say what URLs they have searched to come to their conclusion as part of the large language model training and their outputs. In other words, when it comes up with the fact that it has created a picture or a story for…”

“Indeed, economic and moral rights have always been part of the combination that makes for copyright—so your consent and your remuneration. They are two separate things. Of course, copyright has always had a series of different exemptions for all sorts of different purposes. As I say, my biggest anxiety is that if we do…”

“That already requires legislation for the territoriality issue. That is my point. The status quo of just doing nothing is not an option for us. The question is what package of—”

“That is precisely our intention.”

“I presume she considers, therefore, that the EU is already in breach. In the best of all possible worlds, the major economic blocs—the United States of America, ourselves, Canada, Australia, New Zealand and Europe—at least all proceed together in the same direction. That is the best way of proceeding with trying to nav…”

“There is always a danger. I can’t remember who I was talking to last week who said that this feels like the Napster moment. Then we ended up with Spotify. Everybody thought that nobody was going to be remunerated for stolen music at all.”

“You can have an argument about whether Spotify remunerates enough. For that matter, an interesting point, Chair, you referred to creators and the AI companies, but in many different sectors there are lots of intermediaries in the way—the record labels or whoever it may be, or collective licensing and so on—and that pla…”

“Dame Caroline, every time I say Dame Caroline, I just have bits of “South Pacific” going through my head.”

“Olivia Colman, Olivia Colman and Daniel Craig.”

“Felicity Jones—you’re right.”

“We have a very strong cultural relationship with the United States of America. We work on it all the time and I note that several British people are up, for Oscars in the next couple of weeks, including “Wallace & Gromit”, Ralph Fiennes and Cynthia Erivo. All of that is good and I don’t foresee a problem.”

“Allwyn has said that it expects a significant increase in the amount of money that it will send on, and obviously that is good news. I am working from memory now, but I think it said that it has already pushed back when the additional money will come down the line. We have not said that we will review the list of good …”

“Yes.”

“Dame Caroline, every time I say Dame Caroline, I just have bits of “South Pacific” going through my head.”

“Olivia Colman, Olivia Colman and Daniel Craig.”

“Felicity Jones—you’re right.”

“We have a very strong cultural relationship with the United States of America. We work on it all the time and I note that several British people are up, for Oscars in the next couple of weeks, including “Wallace & Gromit”, Ralph Fiennes and Cynthia Erivo. All of that is good and I don’t foresee a problem.”

“I want Hollywood to prosper as well, and I want it to prosper by making lots of its films in the UK.”

“Allwyn has said that it expects a significant increase in the amount of money that it will send on, and obviously that is good news. I am working from memory now, but I think it said that it has already pushed back when the additional money will come down the line. We have not said that we will review the list of good …”