Speeches by Thomas.
Every Hansard contribution by Cameron Thomas this parliament, most recent first. Back to the MP page for the headline figures and analysed positions.
Showing 121–140 of 552 contributions · most-recent first
| Date | Debate & contribution | Words |
|---|---|---|
| 3 Feb 2026 | Culture, Media and Sport Committee — Oral Evidence (HC 1627) “Tom, you have already mentioned that it can take seven months to process the A1 forms. How common is it for performers working in the EU to be unpaid or have a delay to their pay?” | 36 |
| 3 Feb 2026 | Culture, Media and Sport Committee — Oral Evidence (HC 1627) “Coming back to the visa waiver, what is our offer to the EU? To anybody who might want to take it on, what is the incentive for the EU to engage our Government on that?” | 35 |
| 3 Feb 2026 | Culture, Media and Sport Committee — Oral Evidence (HC 1627) “Kate, how are musicians making up for loss of income and the experience and exposure that touring the EU brings?” | 20 |
| 3 Feb 2026 | Culture, Media and Sport Committee — Oral Evidence (HC 1627) “Is there any support to performers who are jumping through those hurdles from your organisations or elsewhere?” | 17 |
| 3 Feb 2026 | Culture, Media and Sport Committee — Oral Evidence (HC 1627) “You mentioned that it was about attention, but was it also about recouping the money?” | 15 |
| 3 Feb 2026 | Culture, Media and Sport Committee — Oral Evidence (HC 1627) “So it is costing you jobs in the EU and in the UK?” | 13 |
| 3 Feb 2026 | Culture, Media and Sport Committee — Oral Evidence (HC 1627) “During which you might be out of work.” | 8 |
| 3 Feb 2026 | Culture, Media and Sport Committee — Oral Evidence (HC 1627) “Tom, you have already mentioned that it can take seven months to process the A1 forms. How common is it for performers working in the EU to be unpaid or have a delay to their pay?” | 36 |
| 3 Feb 2026 | Culture, Media and Sport Committee — Oral Evidence (HC 1627) “How often do actors have to turn down EU work simply because they cannot afford it?” | 16 |
| 3 Feb 2026 | Culture, Media and Sport Committee — Oral Evidence (HC 1627) “Euan and Matt, do you have anything to add to that response?” | 12 |
| 3 Feb 2026 | Culture, Media and Sport Committee — Oral Evidence (HC 1627) “Tom, what are the financial risks for UK actors working in and touring the EU since Brexit?” | 17 |
| 3 Feb 2026 | Culture, Media and Sport Committee — Oral Evidence (HC 1627) “It sounds as though, particularly if you do not have money to put up front, it is quite a big gamble if you might be looking at seven months to get paid.” | 32 |
| 3 Feb 2026 | Culture, Media and Sport Committee — Oral Evidence (HC 1627) “Euan or Matt, do you have anything to add to that?” | 11 |
| 3 Feb 2026 | Culture, Media and Sport Committee — Oral Evidence (HC 1627) “Naomi, Kate mentioned roles that support artists. What are the implications, as you see them, for those musicians, engineers and so on?” | 22 |
| 3 Feb 2026 | Culture, Media and Sport Committee — Oral Evidence (HC 1627) “Naomi, Kate mentioned roles that support artists. What are the implications, as you see them, for those musicians, engineers and so on?” | 22 |
| 3 Feb 2026 | Culture, Media and Sport Committee — Oral Evidence (HC 1627) “Coming back to the visa waiver, what is our offer to the EU? To anybody who might want to take it on, what is the incentive for the EU to engage our Government on that?” | 35 |
| 3 Feb 2026 | Culture, Media and Sport Committee — Oral Evidence (HC 1627) “Kate, how are musicians making up for loss of income and the experience and exposure that touring the EU brings?” | 20 |
| 3 Feb 2026 | Culture, Media and Sport Committee — Oral Evidence (HC 1627) “Is there any support to performers who are jumping through those hurdles from your organisations or elsewhere?” | 17 |
| 3 Feb 2026 | Culture, Media and Sport Committee — Oral Evidence (HC 1627) “You mentioned that it was about attention, but was it also about recouping the money?” | 15 |
| 3 Feb 2026 | Culture, Media and Sport Committee — Oral Evidence (HC 1627) “How often do actors have to turn down EU work simply because they cannot afford it?” | 16 |